FLICKS: Backyard Wilderness 3D, the First Purge, & Eating Animals to open

Posted on 05 July 2018 by LeslieM

By “Cinema” Dave


With very little surprise, Jurassic World: Fallen Kingdom dominated the box office. It is soon to be replaced by Ant-Man and the Wasp this week.

As I said last week, Jurassic World: Fallen Kingdom deserves to be seen on the biggest screen possible (IMAX), for this is the only opportunity one will get to see a Tyrannosaurus Rex or an Apatosaurus life-sized.

Also at IMAX (at the Museum of Discovery & Science in Ft. Lauderdale) is Backyard Wilderness 3D , a simple and entertaining documentary. Set in a suburban New York, we seem to ride on the back of a bird, who spies Katie, a teenage girl working on her computer. Katie is writing a report about nature and can’t seem to find all the information on the Internet.

As the snow melts, Katie goes exploring and witnesses the miracles of nature in her own backyard. As the bird’s eggs hatch, we see the hatchlings eat their first meal and instinctively attempt their first flight. As coyotes await the opportunity to seize a baby deer, ticket buyers are reminded about the savagery outside the safety of the front door. As the narrative reminds us, there are not villains nor victims in nature — simply predators and prey.

With a running time of less than an hour, Backyard Wilderness 3D does not feel rushed as we follow the cycle of the four seasons. Taking a cue from Henry David Thoreau’s nature study, Walden, Backyard Wilderness 3D will inspire you to step outside your door and observe our own tropical ecosystem.

While the emphasis on the 4th of July is baseball, hot dogs, American music and fireworks, the motion picture industry usually tries to release a special movie on this special holiday. Ironically, this 4th of July only one motion picture opened and it seems to be a subversive choice, The First Purge, which is the fourth movie of the dystopian horror franchise.

The core assertion of The Purge series is that crime (including murder) is legal for 12 hours a year. This controlled anarchy is examined from a sociopolitical perspective, while the fundamentals of horror movie jump scares remain intact. While The Purge series was thought to have concluded two years ago with The Purge: Election Year, this new entry opening this week is being used to set up a new cable television program in September.

Narrated by Natalie Portman, Eating Animals is due to locally release in July. This documentary looks at how the meat-packing industry has changed in the past century. With the science of cloning and harmful food additives, one wonders if we will give up our hot dogs and hamburgers and go vegan after viewing this film.

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FLICKS: Jurassic World: Fallen Kingdom

Posted on 28 June 2018 by LeslieM

By “Cinema” Dave


Twenty-one summers ago, I quit my social studies teaching job to pursue full-time my Information Science degree from Florida State University. It was my personal renaissance. I really appreciated the “science” movies that summer like Men in Black, Contact and The Lost World: Jurassic Park. I used many of the vocabulary words that I heard from those movies and incorporated them into many of my research papers.

Much scientific and philosophical debate takes place in Jurassic World: Fallen Kingdom, which opened to better than expected box office gross.

This film is fun and combines jungle adventure with haunted mansion drama featuring a scary monster. There are heroes and villains. There are moments of jolting scares and deep belly laughs. There is science fiction query that raises the question about the meaning of life. Fortunately, none of these scientific distractions get in the way of telling a good story.

It has been three years since the disastrous events from Jurassic World. The abandoned island is suffering from volcanic activity and Professor Ian Malcolm (Jeff Goldblum — reprising his character from the first two Jurassic Park movies) is brought in to testify about rescuing the dinosaurs stranded on the island. When Congress votes to terminate the dinosaurs, a wealthy capitalist, Sir Benjamin Lockwood (James Cromwell) finances a rescue expedition and recruits the two heroes from the last movie, Owen Grady (Chris Pratt) and Claire Dearing (Bryce Dallas Howard).

While Owen and Claire debate who dumped who in the last three years, the two are in synch when it comes to rescuing the dinosaurs and in particular, a velociraptor named “Blue” who Owen raised from an egg. It turns out that Lockwood’s underlings have nefarious intentions for Blue and his unique DNA code.

Director J.A. Boyana tells a difficult story, the middle part of a proposed trilogy. Nonetheless, the director fills the two-hour plus screen time with Indiana Jones like thrills.

Like his previous movies The Orphanage and A Monster Calls, Boyana excels with claustrophobic scares. One stand-out scene features Grady and Clare in a cage with a waking Tyrannosaurus Rex. This dark scene balances danger and humor with sophistication.

Certain films need to be seen on the biggest screen imaginable. While it does cost a bit more, this film will be playing at the largest screen in South Florida until the 4th of July, the Ft. Lauderdale Museum of Discovery & Science IMAX. More so than any movie this summer, Jurassic World: Fallen Kingdom is the movie to see for Saturday matinee popcorn-eating fun.

If you attend an early show, take advantage of the package which allows entrance to exhibits too. Besides catching there is an exhibition that focuses on the effects of a hurricane. You can walk into a wind machine and endure 100 mph winds in a secure environment. Fun is where you find it and, if you are not careful, you might learn something…

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FLICKS: American Animals opens & Three Billboards now on DVD

Posted on 21 June 2018 by LeslieM

By “Cinema” Dave


Creating a buzz at international film festivals, American Animals opens this weekend in neighborhood theaters. This independent film is reminiscent of “True Crime” television shows from the 1990s that were hosted by the late Robert Stack and William Shatner. Based on a true story, the film is part documentary and part fictional recreation about a theft from a special collections library.

Set in Lexington, Kentucky, this film opens with a quote from Charles Darwin. The opening credits are presented over John Audubon paintings and we see four teenagers playing dress-up as old men enter a special collections library on the Transylvania University campus. The film flashes forward to four older men — Warren Lipka, Spencer Reinhard, Chas Allen and Erik Borsuk, being interviewed about their criminal caper.

The preparation, the heist and the aftermath of the crime is reminiscent of Quentin Tarantino’s dialogue scenes from films like Reservoir Dogs and Pulp Fiction. We witness childhood friends Spencer (Barry Keoghan) and Warren (Evan Peters) rebel against their suburban environment, which feels like the Monkees song “Pleasant Valley Sunday.”

Due to a lack of security at the library, Warren and Spencer hatch a plan to steal the Audubon paintings and sell them to an international arts dealer. As their pipe dream becomes reality, Warren and Spencer recruit Chas (Blake Jenner) and Eric (Jared Abrahamson) to act as extra muscle.

For the most part, the humor of American Animals is watching four highly-educated teenagers perform actions with the same IQ as Jackass participants. When the actual crime is committed, the humor dissipates and the violence becomes painfully real. Does crime pay? Will there be redemption? American Animals has the answer at your local theater this weekend.

Three Billboards Outside Ebbling, Missouri is available for free at your local library on DVD. The winner for Best Screenplay Award at the Oscars, this film has become influential. After the [Grenfell Tower] fire in London and the shooting in Parkland, independent advocates created political (albeit electronic) billboards in protest.

Despite the impact of Oscar wins, Three Billboards Outside Ebbling, Missouri was only a modest success, despite an aggressive marketing campaign from the studios. The trailer presented a justified angry woman taking on a community run by stupid police officers, which probably alienated potential male tickets buyers. Perhaps if it was marketed against Hollywood’s political whims of the time, this good film would have enjoyed a stronger box office.

Unlike the simplicity of the trailers, Three Billboards is a nuanced drama that balances tragedy with comedy.

The three billboards are the catalyst that ignites the showdown between Mildred (Frances McDormand – Best Actress winner) and her conflict between the Sheriff (Woody Harrelson) and his Deputy (Sam Rockwell — Best Supporting Actor winner). With surprising character motivation, the story is unpredictable and filled with pain and redemption.


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FLICKS: Despite’s flaws, “Mary Shelley” offers some timely advice

Posted on 16 June 2018 by LeslieM

By “Cinema Dave”


Robert DeNiro is not Young Vito Corleone, but he played the character in an Oscar Winning portrayal in The Godfather Part II.” DeNiro also portrayed the “Raging Bull” Jake LaMotta in another Oscar Winning performance. Sometimes, actors get confused between fantasy and reality and think they are the people they are playing. This seems to be the case last Sunday night in Manhattan in which DeNiro portrayed a cult leader in an auditorium filled with sycophantic apostles from the Broadway stage. DeNiro’s profanity laced diatribe criticizing the President of the United States was met with a standing ovation.

As I write this column on Tuesday morning, the divide between entertainment fantasy and political reality has expanded to gargantuan proportions. After a 68 year conflict, President Trump has begun negotiations to denuclearize the despot nation known as North Korea. With dwindling box office and dropping television ratings, entertainment industry leaders may want to rethink supporting a “Fearless Leader” like the delusional DeNiro. With armchair diplomacy and a surging economy, the American consumer may want to become more pragmatic when discussing our current President of the United States, Donald Trump.

Despite entertainment headlines about “Oceans 8” overthrowing “Solo: A Star Wars Story” for the weekend box office crown, sales revenues were flat for the Summer Blockbuster Season. With good word of mouth and full Disney/Pixar backing, expect “The Incredibles 2” to dominate headlines and box office revenue this weekend.

Mary Shelley” also opens this weekend locally. Forty five years ago on PBS, this English Drama would have been routine programming on Sunday Night’s “Masterpiece Theater.” The film features beautiful scenery, very little action with English people talking a lot.

Elle Fanning portrays “Mary Shelley” and this 20-year-old actress from Conyers, Georgia is quite good as the frail, but strong willed young author. Fanning holds her own with a Veteran British ensemble that features Douglas Booth as Percy Bysse Shelley and Ben Hardy as Doctor Polidori. The three characters write and recite poetry and with one another. The topics of death, women’s liberation and sexual orientation are are also broached.

With the exception of the opening moments when she is reciting ghost stories in a a cemetery, we are three-quarters of the way into the film before we finally see Mary Shelley begin writing the book she is best known for, “Frankenstein.: This dull wait is too long and this is why “Mary Shelley” is such a disappointment to fans of gothic literature.

Besides “The Incredibles 2,” cinematic action will pick up next weekend with the release of “American Animals.” For all of it’s flaws, “Mary Shelley” does contain an important line from Doctor Polidori, “We have created monsters, don’t let them devour us.” Hollywood executives, Broadway producers and Robert DeNiro, take heed.

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FLICKS: Horror happenings, Mary Shelley & American Animals open soon

Posted on 07 June 2018 by LeslieM

By “Cinema” Dave


As evidenced by last month’s screening of The Return of the Living Dead sponsored by Popcorn Frights, the horror movie community is an untapped market. This Friday, June 8, Popcorn Frights will follow up with a screening of The Texas Chainsaw Massacre, directed by Tobe Hooper. Horror devotees are expected to drive from Orlando and Miami to catch this special screening at the Savor Cinema (503 SE 6 St., Ft. Lauderdale).

Released in 1974, a year after The Exorcist was released, The Texas Chainsaw Massacre was considered rude, crude and socially unacceptable. Unlike the Hollywood embrace of William Friedkin’s direction of William Peter Blatty’s novel about a teen processed by an evil demon, this film was banned in many communities when it was released for Halloween. Whereas The Exorcist was instantly recognized as a classic, The Texas Chainsaw Massacre is a pure cinematic visceral experience that has grown in status after four decades.

The plot for the film is as old as the Boris Karloff thriller The Old Dark House. A group of travelers in Texas run out of gas and are forced to stop at a creepy community. Unlike The Old Dark House, which features a creepy family and a creepier butler, this film features a creepy cannibal family with power tools.

The film featured Marilyn Burns as the leading lady and Gunnar Hansen as the chainsaw wielding Leatherface.

Hansen later spoofed his role in the comedy Hollywood Chainsaw Hookers, which also featured local actress Linnea Quigley. Both Hansen and Burns passed away three years ago, within a year of each other. In their latter years, they held a place of honor within the horror movie convention circuit.

Steve Owens was also a regular patron of the convention circuit and my personal friend. Owens, who worked with Cemetery Prints and was also an instructor, passed away last week. After a full day’s work on the vendor floor at a convention, Steve could be found late at night poolside with a bottle in his hand and a quick joke. A celebration of life and laughter honoring Steve will be held this Saturday night, June 9, at Bru’s Room in Coconut Creek (5460 W. Hillsboro Blvd.), for those who knew him, starting at 6 p.m. (Don’t worry, there are plenty of television sets, so you will be able to see whether or not Justified takes the Triple Crown at the Belmont Stakes).

Starring Elle Fanning, Mary Shelley opens next weekend, June 15. A costume drama set in Elizabethan times, this film explores how a teenager is influenced to write a gothic novel about a man who made a monster.

Two hundred years later, the novel Frankenstein or the Modern Prometheus is still in print and is required reading.

In two weeks, American Animals opens. A heist drama based on a true story, it features four friends who want to steal art work from their college library.

Also check out “The Amazing Mister A,” a magician/ventriloquist, this Saturday morning at 11 a.m. at the Deerfield Beach Percy White Library.

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FLICKS: Pandas & Let the Sunshine In

Posted on 31 May 2018 by LeslieM

After last Memorial Day weekend’s weather woes, it seems appropriate that the movie I am reviewing this weekend is called Let the Sunshine In, a French movie with English subtitles. An award-winning film from the 2017 Cannes Film Festival, the film features a tour de force performance from France’s master thespian, Juliette Binoche.

The film opens with a nude Isabelle (Juliette Binoche) making boring love to a married man. He departs and Isabelle looks at the sunlight beaming through her window. Isabelle continues to have other affairs for different reasons with other men (an actor and an artist), but she often feels incomplete.

Being an artist, the only solace that Isabelle seems to find is through her art. However, when she starts confusing love with lust, Isabelle’s artistry begins to suffer on a retreat. Going into a state of melancholia, Isabelle seeks answers from a psychic/life counselor played by Gerard Depardieu.

Let the Sunshine In is the type of film that an American producer will remake with a Sandra Bullock, Viola Davis or Brie Larson in the leading role. It is a total “chick flick” with male actors in subordinate roles, yet Binoche is such a fascinating woman to watch, with or without her clothes on.

For those looking for family fare, Pandas 3-D is a wonderful 45-minute documentary at the Museum of Discovery and Science IMAX Theater in Ft. Lauderdale. Narrated by Kristen Bell, this film is set in China at the Chengdu Base which oversees the breeding of giant pandas in captivity. Inspired by the black bear program in New Hampshire, a Chengdu Base scientist crosses continents to continue her research.

Away from international politics, one can become inspired by these two cross-cultural scientists who want to create a better quality of life for this frail panda. Though this is a documentary, it ends with a bit of a cliffhanger. Don’t worry kiddies, the pandas will not turn into dust, but the ending is satisfying and justifies the purpose for scientific research.

One nice thing about reviewing movies like Let the Sunshine In and Pandas 3-D is that both movies are life affirming.

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FLICKS: Solo: A Star Wars Story; MODS gets new resident

Posted on 24 May 2018 by LeslieM

By “Cinema” Dave


The production history was a disaster. An Oscar Winning director was called to save this much anticipated anthology film. Given the scant marketing, one wonders if Walt Disney/LucasFilm had plans to cut their losses with their first Star Wars bomb. But, surprise, surprise! Solo A Star Wars Story captures the spirit of Saturday matinee popcorn-eating fun and will be a big hit this Memorial Day Weekend.

The best Star Wars movies are those that recall the glory days of yesteryear before computerized special effects. The plot and situations are outrageous; yet, there is a good spirit that motivates the entertainment value of the franchise. There are some thrilling moments of danger, but the loudest crowd reactions featured the budding relationship between Han Solo (Alden Ehrenreich) and his future co-pilot, Chewbacca (Joonas Suotamo), a 7 ft. Wookie from the Planet Kashyyyk.

Before the title character and Chewbacca meet, we witness Young Han and his girlfriend Kira (Emilia Clarke). The two run street scams, but seek a better life full of adventure and romance. In an attempt to leave the planet, Han and Kira are separated. While Kira’s fate becomes a mystery, Han becomes a soldier in the Emperor Army.

Not one to blindly follow orders, Han becomes a rebel and joins a band of mercenaries headed by Tobias Beckett (Woody Harrelson). Through a series of mishaps, Han demonstrates aviation skills and the ability to problem solve. As he climbs the hierarchy of a criminal empire, Han travels the far reaches of the galaxy in search of fortune and glory.

Solo: A Star Wars Story works. The film opens in film noir darkness and, through science fiction narrative, becomes a cowboy movie featuring wide open spaces and a good old-fashion showdown. Musical Composer John Powell does a commendable job keeping the audience energy in light speed and appropriately repeats the music from John Williams classic Star Wars rousing score.

Like Avengers: Infinity Wars, Solo: A Star Wars Story should be seen on the big screen with a movie theater that honors audience participation.

The film will be playing at the Ft. Lauderdale Museum of Discovery & Science (MODS) until June 13, when it will be replaced by Incredibles 2.

Terry the Otter arrives

MODS welcomed Terry the Otter. Named after Real Estate Developer Terry Stiles, the otter is an animal rescue from Louisiana. Unlike Solo: A Star Wars Story, Terry the Otter will be a permanent resident at the Museum of Science & Discovery. Videos of Terry frolicking with his new friends can be seen on my blog, http://cinemadave.livejournal.com .

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FLICKS: The Florida Project & free Star Wars fun

Posted on 17 May 2018 by LeslieM

By “Cinema” Dave


Recently released on DVD, the award-winning film The Florida Project tells the story about disenfranchised people who live at the Magic Castle Hotel in Kissimmee, Florida. At a distance, the hotel looks like something out of a fairy tale, but upon closer inspection one cannot miss the dirt and the filth of a decaying society. It is managed by Bobby Hicks (Willem Dafoe).

We are introduced to Moonee (Brooklynn Kimberly Prince) and Scooty (Christopher Rivera), two children whose mothers are single. When caught spitting on Grandma Stacey’s car, Moonee and Scooty befriend the granddaughter Jancey (Valeria Cotto) while cleaning up the car. The three friends play and go on many adventures, while the parents desperately find money for food, clothing and shelter.

The end credits to The Florida Project acknowledge the debt to Hal Roach and Our Gang/Little Rascals. The children are wild, yet natural and innocent. As reality comes crashing down upon Moonee’s mom, the tragedy is sadly seen through a child’s eyes, making the situation more heartbreaking.

While Dafoe (who was Oscar-nominated) is the most recognizable actor from the film, the actresses portraying the single mothers — Bria Vinaite, Mela Murder and Josie Olivo — seem so real that they do not appear to be acting.

Politically, much has been made about lack of tax incentives for Florida film production. While most big studio ventures are based in Atlanta these days, one must acknowledge the financial creativity of these Florida film productions like Moonlight and The Florida Project. While necessity is the mother of invention, it must be noted that these films do not promote Florida tourism. There is a darkness to The Florida Project that is all consuming.

[Speaking of the dark side], free Star Wars fun awaits this weekend at Deerfield Beach Percy White Library. They will be screening a free Star Wars movie this Saturday afternoon at 2 p.m. There will be a costume contest for Elementary, Middle and High School students with a prize for each respected age group. There will also be a random drawing for the DVDs and the first 30 people in costume will receive a comic book from CJ’s Comics.

CJ’s Comics also contributed to ‘the lost museum of the Jedi’ display, which materialized in the Youth Services section of the library. The display features a variety of artifacts. Patrons will be able to see the first paperback version of Star Wars, before the film was released. When the second trilogy was released in 1999, Star Wars: Episode I – The Phantom Menace featured promotional items from Taco Bell, like Yoda sippy cups. While co-op marketing is a given with a Star Wars movie, one forgets that in 1977 (when the first film was released) the only way to get a Star Wars toy was via mail order.

The lost museum of the Jedi’ will dematerialize Memorial Day weekend to make room for the’ Libraries ROCK! Summer Reading Program,’ so, for Deerfield residents, the fun is just beginning! The library is located at 837 E. Hillsboro Blvd. in Deerfield Beach.

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FLICKS: “Scream Queen” Linnea Quigley to be at Savor Cinema

Posted on 10 May 2018 by LeslieM

By “Cinema” Dave


What the record breaking Black Panther did in two months, Avengers: Infinity War accomplished in two weeks at the box office. With the exception of the documentary about Supreme Court Justice Ruth Bader Ginsberg, RBG, which opens this weekend, there are no movies opening with any kind of buzz to stop the Infinity War juggernaut this Mother’s Day Weekend. For those who do not want to see this Avengers film for the fourth time this weekend, there will be a unique South Florida experience this Friday evening at 10 p.m.

After three years at O Cinema Wynwood, co-founders & co-directors Igor Shteyrenberg and Marc Ferman are moving their Popcorn Frights Film Festival to Ft. Lauderdale International Film Festival’s (FLIFF) Savor Cinema. The Southeast’s largest gathering of horror films and fans alike, Popcorn Frights and Savor Cinema promise a year-round experience of the best in international genre cinema and cult film favorites.

The Return of the Living Dead kicks off this collaboration. Released during the summer of 1985 and directed by the late Dan O’Bannon, The Return of the Living Dead took the seriousness of George Romero’s zombie classic (Night of the Living Dead) and mixed it with dark humor.

The film opens with Frank (James Karen) talking with his prodigy Freddy (Thom Matthews) and explaining that George Romero’s The Return of the Living Dead movie is based on a true story. To prove his point, Frank takes Freddy to the basement to view these federal government canisters. After a bumbling accident, the canister releases a gas and inanimate objects come alive. The boss Burt (Clu Gulager) is called.

Freddy’s friends plan to pick him up after work. To kill time, the friends hang out at a nearby cemetery and seek refuge from the zombies. One of the friends, a punk rocker named “Trash,” performs a strip tease on a tombstone when the Living Dead return. Linnea Quigley, the local actress who played Trash, will be hosting the Friday night screening at Savor Cinema for Popcorn Frights inaugural film there.

Long time Observer readers are familiar with Linnea Quigley, one of the first actresses I interviewed for our Halloween issue in 2002. Since we met on the set of Jose Prendes’ Corpses Are Forever, Linnea has been involved in 52 independent film productions, co-wrote two books, including Night of the Scream Queen:Kiss of the Gator Guy with author Michael McCarty, and held a reunion concert for the band she was in —The Skirts — with bassist Haydee Pomar with special guest drummer Joey Image from the legendary punk rock band The Misfits.

While embracing her “Scream Queen” moniker, Linnea’s costars like Clu Gulager and Gunnar Hansen have spoken with respect to her acting talent. Who knows, with the right make up, perhaps Linnea Quigley could play Supreme Court Justice Ruth Bader Ginsberg in a rock ‘n comedy version of RBG.

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FLICKS: Avengers: Infinity War & RBG

Posted on 03 May 2018 by LeslieM

By “Cinema” Dave


#ThanosDemandsSilence was Disney/Marvel’s serious marketing angle to promote Avengers: Infinity War. In early April, I had to sign an acknowledgement of a press embargo until Tuesday, April 24. On Wednesday, April 25, Wikipedia revealed the biggest spoilers of Avengers: Infinity War. [Don’t worry… no spoilers in this review].

Clocking in at almost three hours, this film features every hero (minus two, but there is another Marvel movie opening in July) from the previous 18 Marvel comic movies. Each hero is given their moment to shine, but the featured character is Thanos (Josh Brolin), a mad titan who believes it is time to save the universe by weeding out the undesirable humans. To achieve his genocidal goal, Thanos must complete his collection of the infinity stones that we have seen filtered throughout the previous 18 Marvel Comics movies.

With the search for infinity stones being as similar as J.R.R. Tolkien’s The Lord of the Rings or Richard Wagner’s opera, The Ring of Nibelung, the actions of Thanos feel mythical and iconic. More so than the other 18 movies, the word “tragedy” is most used when used to describe this new Marvel movie. Joe and Anthony Russo (the brother directors) trust the fan base to close Avengers: Infinity War on a silent, somber note. Given the raised stakes of Infinity Wars, these directors have their work cut out for them next year when the “Untitled” Avengers opens in Springtime 2019. Will the heroes triumph over Thanos or will the fat lady sing at the last Avengers opera?

It is a little lady who enjoys opera that is the feature of the documentary RBG, which opens next week, on Friday, May 11. RBG is Supreme Court Justice Ruth Bader Ginsburg. Brooklyn-born from Odessa Russian immigrants, Ruth was taught to be polite and independent. Outwardly shy, Ruth was a listener and a thinker. Despite losing her mother at age 17, Ruth’s determination led her to Harvard Law School, where she met her future husband Marty. When Marty’s health failed, Ruth took a job at Columbia University.

Ruth Bader Ginsberg’s rise to power rose in conjunction with the civil rights movement of the 1960s, as well as the women’s rights movement of the 1970s. In an age of televised screaming and public protests, Ruth worked quietly behind the scenes drafting legal briefs that led her to defend in front of the Supreme Court. Her clear thinking and concisely written prose created laws that American citizens take for granted today.

Produced by CNN, RBG presents a likeable portrait of Ruth Bader Ginsberg.

The documentary lovingly presents her domestic life and her unique friendship with the late Justice Antonin Scalia. Thanks to Saturday Night Live’s Kate McKinnon’s comedic portrayal of the Supreme Justice, we learn how this 85-year-old authority figure has become the new counter culture rap icon – RBG.

With the 90-minute running time, RBG is a nice, sweet documentary. There is not much time to counter argue RBG’s continuous legal dissent, though the film does touch on her criticism of Donald Trump. There is still one week before RBG opens, but, in the meantime, don’t miss the opportunity to see Avengers: Infnity War, try it in the big screen at IMAX. With snappy dialogue, electric character interaction, mind-blowing visuals, Avengers: Infinity War deserves its blockbuster box office success on the big screen. You may want to see it before May 18 when [the next comic book film] Deadpool 2 opens.

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