By “Cinema” Dave
It has been 34 years since director Steven Spielberg released his 6th motion picture, E.T. the Extraterrestrial, whose box office gross made him the King of Summer blockbusters. At the time, Harrison Ford was dating Melissa Mathison, who wrote the screenplay for E.T. When Mathison fell ill, Spielberg reviewed some of her screenplays and was impressed by her adaptation of Roald Dahl’s The BFG, which was published in 1982, the same year that E.T. the Extraterrestial was released. While best known for his dark children’s novels like James and the Giant Peach and Charlie and the Chocolate Factory, Dahl’s The BFG confronted an emotion he was unfamiliar with — sentimentality. The diverse collaboration between Dahl, Mathison and Spielberg has created a fine motion picture based on a book.
Sophie (Rudy Barnhill) is an orphan with insomnia. One night, she spots a giant (Mark Rylance) roaming the streets of London. Fearing reprisals from humans, the giant abducts Sophie and takes her to his hovel. Fearful at first, Sophie develops a kinship with the giant, who she names “BFG” — short for Big Friendly Giant.
Sophie learns that BFG is actually the runt of the giants and that he is frequently bullied by his brethren. When the mean giants get too aggressive, BFG plans to return Sophie to the orphanage. However, Sophie has another idea and it involves meeting the Queen of England.
Being Spielberg’s first Walt Disney movie, The BFG is pure family entertainment. There is fantastic cinematography that is spiritually enhanced by John Williams’ musical score. There are scary moments, but not scary enough to induce nightmares. There are subtle moments of humor, with a whizzpopping belly laugh that builds to absurd levels. The BFG is a good afternoon escape from the summer heat.
A sequel 20 years in the making, Independence Day:Resurgence opened last weekend with disappointing box office. While the sequel does provide the science fiction community their jollies, the film is not as good as the predecessor.
With reference to the fictional events of 1996, Jeff Goldblum and Madame President (Sela Ward) learn that the aliens are planning a counterattack. They recruit the children of the heroes from the first movie to fly into danger. Things go wrong when the aliens unleash a secret weapon. Cliches abound. One cliche involves sacrificial death. With a swelling musical score, this dramatic scene feels false; the sacrificial death proves meaningless.
The best part of this film features Goldblum and Judd Hirsch’s kvetching father. The bantering between the two feels real with much humor and humanity.
Happy 4th of July!