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FLICKS: Twilight Saga: Breaking Dawn 2 & Diana Vreeland, the Eye has to Travel

Posted on 29 November 2012 by LeslieM

By Dave Montalbano


Each year since President Obama was first elected, a “Twilight” movie has been released. The box office revenue generated has been more revenue than the president’s taxation policies. With this kind of economic incentive, one wonders if author Stephenie Meyer had secretly written a continuation of her vampire/werewolf middle school Gothic romance. When word “leaked” that a “twist” ending had been added to Twilight Saga: Breaking Dawn Part 2, one feared another four Twilight movies by 2016.

Fortunately, Breaking Dawn: Part 2 does present closure to the Bella Swan (Kristen Stewart) saga. In the last flick, the newlywed Bella was on the verge of dying during the birth of her child. Thanks to the timely action of her husband, Edward Cullen (Robert Pattinson), Bella becomes a vampire. This upsets the vampire status quo and an international civil war rages in the forests of Washington state.

As a series of five movies, the Twilight saga improved with each production. To the producer’s credit, they fulfilled fan expectations. It will be fascinating if, in the year 2022, the fan base will feel the same affection to Team Jacob, Team Edward or Bella Swan.

After The Devil Wears Prada and the Anna Wintour BioPic The September Issue, one can grow weary of the narcissism of the fashion industry. Then the documentary Diana Vreeland: The Eye has to Travel” is released, revealing what a joke the industry really is.

With an archive of interviews conducted by George Plimpton, this documentary features the “Forrest Gump” of fashion design, Diana Vreeland. Born in Paris, Diana and her sister witness the coronation of Britain’s King George V. The family moves to Colorado and Diana befriends former cowboy and carnival huckster, Buffalo Bill Cody. As a teenager during the Roaring Twenties, Diana parties with Josephine Baker, returns to Europe and finds Adolph Hitler’s mustache amusing.

Given her personal contacts with the hoi polloi, Diana gets a job writing for “Harper’s Bazaar,” before transitioning to “Vogue” in the early 1960s. Eventually, Vreeland was named consultant to the Metropolitan Museum of Art, cementing her image as a Manhattan elitist.

Given the footage that is revealed and her place in reporting current events, this film provides an entertaining history lesson about the 20th Century.

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