By “Cinema” Dave

http://cinemadave.livejournal.com

An epic tale can be told in 17 days. That is the major lesson that was learned in the 2 ½ weeks of the 34th Ft. Lauderdale International Film Festival (FLIFF), which featured a strong beginning, middle and a grand finale.  There were heroes and villains, featuring close calls and thrilling escapes. There was also an acknowledgement that regardless of race, color or creed, there is a community of individuals who love stories told on the big screen.

Winner of the best ensemble award,Working Man, is a film that symbolizes the themes of FLIFF 2019. Ten years in preparation, Robert Jury molded his script into a 1 hour and 49 minute drama that touches upon all the elements of Aristotelian drama: sadness, penance, comedy and redemption. Yet, for all of the academic touch points, Working Man is a contemporary movie that taps into modern sensibilities. The production values of this film reflect upon a little independent film that costar Talia Shire was involved in 43 years ago — Rocky.

Forty-three years ago, the biggest star on the set of Rocky was Burgess Meredith, an actor who was known to one generation as Batman’s nemesis “The Penguin,” to another generation he was “George” to Lon Chaney Jr.’s “Lennie” in John Steinbeck’s adaption Of Mice and Men.  The production values of Rocky were far more depressed than the previous mentioned Burgess Meredith productions. In fact, the actor’s dressing room was a shared van on the streets of Philadelphia.

Instead of missing the glory of salad days gone by, Talia Shire saw him (in his Long Johns, in the dressing room) proclaiming, “Isn’t this great?” Meredith garnered an Oscar nomination for Rocky and steady work in the industry for another 30 years. This is a lesson that the then 29 year-old Talia Shire embraced.

Being trained in theater with the gravitas that “the show must go on,” Shire flew into Ft. Lauderdale on a red eye jet, later than expected, despite an injured index finger and waves of throbbing pain. She would have made Burgess Meredith proud. 

Shire provided expert analysis of Working Man (Videos will be downloaded on my blog — https://cinemadave.livejournal.com this weekend.)  She was generous with the press, signing autographs and posing with fans for photographs.  Shire is a movie star, but she prefers to be known as a character actress.

As an Italian child from Long Island, the film From the Vine helped me recapture moments of my youth.  Starring Joe Pantoliano in a rare leading role, this filmis the story of an overworked executive who discovers the bucolic joy of making wine. 

In 17 days, the climate changed from tropic heat to November chill.  As a double feature, Working Man and From the Vine were great Sunday afternoon matinee fun.

FLIFF 2019 has closed. Many of the backstage angels and class acts are limping home from a job well done.  In fact, 17 days is a great benchmark in the motion picture industry. For Working Man and Rocky were filmed within a similar time period.   Hmm … Cinema Dave has an idea for a film project in 2020 Anno Domini …

By “Cinema” Dave

http://cinemadave.livejournal.com

It was a hot Sunday August night years ago at the Pompano Muvico when Cinema Dave watched Rob Zombie’s creation, The Devil’s Rejects [which was released in 2005]. With visceral violence and terrible torture scenes, Cinema Dave wondered what type of people would pay to see such a film. He questioned the psychological make-up of the people sitting next to him and cheering the exploits of Otis (Bill Moseley), Baby (Sheri Moon Zombie) and patriarch Captain Spaulding (Sid Haig).  Now, Cinema Dave owns a DVD copy of it.

A follow up to his first movie, House of a 1000 Corpses [2003], The Devil’s Rejects is now considered Rob Zombie’s best movie.  Barely a blip in the 2005 box office, the filmwas rated highly by national critics like Roger Ebert. A cult phenomenon through the horror convention circuit and through the camaraderie of the actors, Zombie put paper to pencil and created 3 from Hell, a direct sequel featuring Bill Moseley, Sheri Moon Zombie and Sid Haig in a brief appearance as the patriarch.

Unless you were in a movie theater for the last three weeknights, you missed the big screen edition offilm as the film is now being processed for a DVD/Halloween release next month. Riding the vibe of this independent cult film trilogy, Universal Halloween Horror Nights in Orlando is devoting a haunted ride exhibit to the Firefly Family from the film.

Halloween Horror Nights is also dedicating a haunted house to Us, Jordan Peele’s next film after his Oscar winning screenplay, Get Out.  Starring Oscar winner Lupita Nyong’o, Us is a horror movie that is too long for its own good.  There are plenty of thrills and laughs, but the horrific explanation is complicated and takes too long to explain. (US is currently available on DVD).

Beyond the fantasy of terror movies, there is the realistic horror of Hurricane Dorian upon the Bahamas recently. Unlike the selfish behavior of people seen in a horror movie, our South Florida neighbors have stepped up to help our Caribbean neighbors with donations.

Beginning 6 p.m. on Friday, Sept. 20, the Ft. Lauderdale International Film Festival’s (FLIFF) Savor Cinema (503 SE 6 St., in Ft. Lauderdale) in partnership with the Ft. Lauderdale Museum of Discovery and Science, will screen Eye of the Dolphin and Beneath the Blue, two films filmed in the Bahamas that were previously honored by the festival. Throughout the double feature, there will be a Bahamian party in the courtyard.  While ticket prices vary, all proceeds will go to Bahamian charity relief efforts. For more information, find FLIFF on Facebook.

By “Cinema” Dave

http://cinemadave.livejournal.com

The Ft. Lauderdale International Film Festival (FLIFF) concluded its bravest year yet on an upnote, with a successful closing night extravaganza featuring an outdoor screening of Caddyshack at the Ft. Lauderdale International Country Club. Released almost four decades ago and directed by the late Harold Ramis, that popular film was produced by Barbra Streisand’s former hairdresser and live-in boyfriend, Jon Peters.

For legal reasons, Jon Peters also holds a producer credit for this summer’s critically acclaimed and consistent box office champion since Oct. 5, A Star is Born. Driven by social media, many single females in their 20s have attended repeat screenings of this fourth remake, this time starring Lady Gaga and Bradley Cooper, who also makes his directorial debut.

The film opens with Jackson Maine (Cooper) on stage at the height of his country rock star game. The next scene features a female voice breaking up with her boyfriend on a cell phone while in a toilet stall. As Ally (Lady Gaga) walks out of the restaurant, her place of work, the title first appears on the big screen, “A STAR IS BORN.” Though simple, these two sequences foreshadow so much.

Seeking to decompress after another stadium filled show, Jackson visits a bar with live music. Though a drag show with female impersonators, Jackson is tearfully impressed with Ally’s rendition of “La Vie En Rose.” He invites himself backstage and asks Ally to join him for a drink.

With developing chemistry, Jack and Ally collaborate on songwriting and singing. During one loud auditorium show, Jack forces Ally onstage. Ally nails the moment and record executives take notice.

As one constantly learns from the entertainment business, so many successful people in the spotlight have many demons in their backstage life. Although this is the fourth adaptation of A Star is Born since 1937, it is a painful lesson that each generation must endure and learn.

With less Hollywood trappings compared to the three previous versions of the film, Bradley Cooper’s unfussy direction tells a truthful tale. Lady Gaga sheds her flamboyant persona and reveals the soul of Ally, the New York girl who has much in common with Stefani Joanne Angelina Germanotta (Lady Gaga’s real name). A performance driven movie (expect Sam Elliott to be nominated for Best Supporting Actor, along with his leading man and lady), A Star is Born is a performance-driven movie that will be talked about during awards season.

Happy Thanksgiving Day!

By “Cinema” Dave

http://cinemadave.livejournal.com

With no Marvel Comic Universe or Star Wars movies opening this holiday season, all bets are off in determining the final box office Juggernaut of 2018. The Harry Potter prequel Fantastic Beasts: The Crimes of Grindelwald opens this weekend, with Creed II being released in time for Thanksgiving, repeating the marketing strategy of the Rocky Balboa in 2006 and the original Creed in 2015. The much acclaimed A Star is Born has shown consistent box office numbers, with a likely resurgence this Thanksgiving weekend.

The Ft. Lauderdale International Film Festival (FLIFF) concludes its 33rd edition this weekend. More than any other FLIFF in memory, documentaries and short subjects are overshadowing the fictional features. Each category is very competitive and the subjects vary. While the best documentaries are science based, the short subjects vary in tone from serious to whimsical.

Shot in the Cayman Islands, Hotel features a sad man and a happy woman who meet in the hallway. Being out of towners, both people find they have much in common. It should be noted that the female ingenue is portrayed by Taylor Burrowes, an actress with a PhD in counseling who goes by the moniker, “Doctor Babe.”

An Italian short subject based on a true story, Magic Alps looks at immigrants entering Italy and being separated from their pets.

United Kingdom’s The Vest is a seven minute nightmare about a suicide bomber who seeks redemption.

From Life is an eight minute short subject from the United Kingdom. A complete story with a solid beginning and middle with a surprise ending, this movie provokes thoughts about art, history and the nature of being. From Life is easily the best short subject of the festival, though Animal Cinema deserves special recognition for a science short subject. Told from the perspective of wild creatures operating video cameras from 2012 to 2017, the video footage was found on all seven continents.

Directed by Teresa Tico, Keely Shaye Brosnan and executive produced by her husband Pierce, Poisoning Paradise looks at the conflict between native Hawaiians and corporations developing genetic pesticides for corn crops. With a dramatic opening and close celebrating the Hawaiian Paradise, this film bogs down in the middle by relying on television interviews and stock footage of protests.

In contrast, Secrets of a Frozen Ocean is a minimalist documentary about a 75-year-old scientist who makes one last trek to the Arctic to find evidence of a meteor landing there millions of years ago. Avoiding editorial drama and a musical score that would make Marlon Perkin’s “Mutual of Omaha’s Wild Kingdom” so cheesy, this film strives for truth and is very humane.

Sharkwater Extinction is easily the best documentary of FLIFF. The narrative is strong and the cinematography captures the oceans, landscapes and sunsets in Gods crowning glory. Adventurer Rob Stewart’s life mission appeared to have been to change the negative perception of sharks as a killing machine. When viewed rationally, sharks are necessary predators of the food cycle to prevent population surplus.

[Stewart showed his first 2006 film Sharkwater at FLIFF and he was presented a Humanitarian Award by FLIFF in 2012 when his film Revolution was showing at Cannes]. Tragically, in 2017, he died while diving in The Keys [possibilty from equipment malfunction]. His last film, Sharkwater Extinction will be screened this Saturday night at 8 p.m. at Bailey Hall at Broward College (3501 Davie Rd, Davie, FL 33314). Even if one separates the emotional connection to this young man’s last film, Sharkwater Extinction deserves to be seen on the BIG SCREEN to appreciate the visual beauty of the world of which we live.

For more information on the festival, visit www.FLIFF.com.

By “Cinema” Dave

http://cinemadave.livejournal.com

Relief. The campaign season is over and we can start to think seriously about the upcoming public holidays — Veteran’s Day, Thanksgiving, Christmas, New Year’s and Martin Luther King Jr. weekend. For many, it is a time of renewal and a time to reconnect with family and friends. For seasoned citizens, it is a time to confront the challenges of aging, and the collateral repercussions.

Opening this weekend, What they Had is family drama that looks at this subject. There is already Oscar buzz for the performances given by Hilary Swank, Michael Shannon, Robert Forster and Blythe Danner. Danner portrays the matriarch suffering from dementia. When she goes for a midnight walk in a Chicago Blizzard, the son and daughter (Shannon and Swank, respectively) begin to doubt their father’s (Foster’s) competency to care for their mother. The drama will be real and painful, but expect the tender mercy of humor in family discord.

While Halloween created box office records for an October movie release, revenue dropped dramatically on Nov. 1, losing to Disney’s The Nutcracker and the Four Realms. Despite mediocre reviews, save for Rami Malek’s performance as Freddy Mercury, Bohemian Rhapsody was last week’s box office champion. While the biopic follows the Hollywood formula, it is the Rock ‘n Roll sequences that merit seeing this film on the big screen.

Despite the cold and flu bug that has intruded upon The 33rd Annual Ft. Lauderdale International Film Festival (FLIFF), the event is going smoothly with successful screenings at the Seminole Hard Rock, Savor Cinema and Cinema Paradiso-Hollywood. Philanthropist Steve Savor received the Marti Huizenga Humanitarian Award, a distinguished honor. Along with her husband Wayne, Marti Huizenga founded FLIFF in the late 1980s from the Las Olas Boulevard headquarters of Blockbuster video. A friendly face at the concession counter, Tina La Boeuf, was named Employee of the Year and received her plaque. For those who earn a plaque from FLIFF, the inscription alone is worth the honor.

This Veterans Day weekend, the fun continues with screenings and the events at Cinema Paradiso-Hollywood, Savor Cinema and NSU Art Museum in downtown Ft. Lauderdale. Viewings are free for those with museum membership for the screenings beginning Tuesday, Nov. 13. On Thursday Nov. 15, the museum will host The Art & Times of Frosty Myers at 7:30 p.m. This also is an opportunity to check out the Glackens and Renoir exhibit that opened last month.

For many years, FLIFF would celebrate the Ft. Lauderdale canals [Intracoastal] as America’s Venice with a morning cruise. With Daylight Saving Time and potential confusion, this event has been transformed into a Sunset Cruise this Monday night, Nov. 12 aboard the Musette. As we have experienced the evening darkness at 6 p.m., this is an opportunity to screen four international short subjects in the dark about a variety of topics, all of them dramatic. For info. on all FLIFF events and screenings, visit www.fliff.com.

This columnist will be hosting the last screening of House of Wax this Friday evening. While he will be donating four of his books in a post screening trivia contest, he will also donate an autographed copy of The Book of Joe written by Vincent Price. Complete with 3-D glasses, last week’s House of Wax screening went extremely well, with people laughing and screaming at the appropriate times. This film is as worthy today on the big screen as it was 65 years ago, before the advent of cell phones, cable television and color television sets.

Happy Veterans Day!

By “Cinema” Dave

http://cinemadave.livejournal.com

After last year’s historical film festival with Burt Reynolds, there is no denying the challenge this year’s 33rd Ft. Lauderdale International Film Festival (FLIFF) faces. Fortunately, with nearly three decades experience putting on such a such an event, festival director Gregory von Hausch and his merry crew of technicians and volunteers have programmed three weeks of films that celebrate Broward County. Given how the motion picture industry does not travel south of Atlanta these days, it is especially important that FLIFF shines this week.

While most of the presentations will be held at the usual locations of Savor Cinema and Cinema Paradiso-Hollywood, this year’s venues also include the NOVA Ft. Lauderdale Museum of Art and the Sunrise Civic Center. With a portion of ticket proceeds going to hurricane relief for Hurricane Michael victims in the Florida Panhandle, the festival opens at the Seminole Hard Rock Hotel & Casino with a French Garden Party saluting the opening night film, The Return of the Hero, starring Jean Dujardin, Oscar winner from The Artist, which premiered at the FLIFF in 2011.

While this columnist is looking forward to hosting the 65th anniversary screening of House of Wax, Saturday night at 10 p.m. at Savor Cinema, the theater will also feature Smuggling Hendrix before it at 8 p.m., a film written and directed by Marios Piperides from Cyprus. Prior to the movies Southeast premier, Michelle Filippi will host a Greek Party in the theater’s John Mager Courtyard.

While one might think this film has something to do with legendary guitarist Jimi Hendrix, it really is a story about a dog named “Jimi,” a comedy that pokes fun at culture, politics and borders. It is the story of a divorced man with custody of “Jimi,” who crosses the Cyprus/Turkey border for a vacation that becomes an epic journey. A favorite of the Festival Director, Smuggling Hendrix promises to be 93 minutes of cinema fun.

On Wednesday, Nov. 7 at the Westin Ft. Lauderdale Beach Resort, prepare to take a time machine to December 1960 with a screening of Where the Boys Are. Florida legend Connie Francis will be in attendance, as well as Woody Woodbury, who will receive a Lifetime Achievement Award. Unlike the previous parties where gala clothes or togas seemed appropriate, swimsuits will be what to wear. In tribute to “Ft. Liquordale,” there will be complimentary drinks at the “Elbo Room After-Party.”

“Shorts at Sea” will be a unique event on Monday, Nov. 12 aboard the Musette. This twilight cruise will feature heavy hors d’oeuvres and four short films, with the longest film being only 15 minutes long.

The topics vary from cute animals to ghosts to life affirmation. Short subjects are underrated gems and this cruise on the Musette will raise the profile of these films.

The Miami Dolphins have faded, the World Series is over and there is a hotly contested election next Tuesday. Now more than ever we need a vacation from the ordinary film and FLIFF will provide that escape. For details on these and other events and films, visit www.fliff.com.

By “Cinema” Dave

http://cinemadave.livejournal.com

Even though some American flags flew in First Man, the box office results for First Man last weekend was a disappointment. Despite casting two non-Americans in the leading roles and poor public relations from the studio, director and screenwriter Damien Chazelle has crafted an epic motion picture, without losing sight of character development in subtle ways.

The film opens with Neal Armstrong (Ryan Gosling) test piloting an X-15 rocket plane when he accidentally bumps off into outer space. Keeping his cool, Neal returns to earth safely. His domestic life is not so safe, as his young daughter is terminal with a brain tumor. A stoic man with a stoic wife named Janet (Claire Foy), Neal tries to problem solve his daughter’s illness with the same detached precision of engineering and flying an X-15.

When his daughter dies, Neal channels his anguish into his work. With the space race in hot competition with the Soviet Union, Neal commands a Gemini spacecraft, which almost spins into disaster. Showing his grit and intelligence under extreme pressure, Neal is eventually named the commander of Apollo 11 and the rest is history.

Visually, First Man does not disappoint. Enhancing actual NASA footage with computer software, First Man will be playing in mainstream theaters (as well as at the Ft. Lauderdale Museum of Discovery IMAX six-story screen for the rest of this month. While there, check out the Archimedes Exhibit).

For all of its bells and whistles, the theme of First Man is how a family copes with grief. Besides the loss of their daughter, there is the loss of colleagues from accidents. The pain of grief is real, but how one deals with loss presents character. With understated nuance, Gosling and Foy have earned awards for their stoic performances. Expect some buzz for First Man when the awards season begins.

In two weeks, the Ft. Lauderdale International Film Festival (FLIFF) kicks off its three weeks of international films, parties and merry making. To coincide with the screening of Return of the Hero, FLIFF will be hosting a French Garden Party at the Seminole Hard Rock Casino in Hollywood on Friday, Nov. 2 at 7:30 p.m.

The opening gala is always a special event, but this may be the most important. Given the natural disaster of Hurricane Michael and its devastation of the Florida Panhandle, 50 percent of full price general admission tickets sales will be dedicated to relief efforts for Mexico Beach. The Hard Rock Auditorium can seat 3500 seats, so there is the potential to raise $21,000 dollars to help our Florida neighbors to rebuild their lives. To purchase a ticket, please visit this website — www.fliff.com/movies and scroll down to Return of the Hero.

By “Cinema” Dave

http://cinemadave.livejournal.com

In the motion picture industry, the last weekend in September features box office doldrums. Halloween season is starting to rev up, while some of the summer blockbuster movies enjoy their final big screen moments on the smaller screen. This is why for the past six years I have departed Deerfield to attend “Adventures in Charity” in Orlando.

The Adventurers Club in Disney World opened when Indiana Jones and the Last Crusade was playing on the big screen, circa 1989, and closed when Indiana Jones and the Kingdom of the Crystal Skull was released in 2008. A controversial business decision, Disney made plans to convert Downtown Disney into Disney Springs. The plan was successful, though many Adventurers Club members were displaced. [The Adventurer’s Club was a themed nightclub in Pleasure Island with theatrical entertainers in this part of Disney World]. Nature abhors a vacuum and for four years, there were reenactments. However, it wasn’t until 2013 with the creation of Adventures in Charity, that I started making the pilgrimage to the Holiday Inn Resort by Lake Buena Vista to attend. The show was so good that my 94-year-old mom has joined for the last five years.

Under Chairman Robert Croskery’s financial leadership and the dedicated attention of the Adventures in Charity Board, the Adventurers Club lived on, but with the mission of helping charities. This year, they raised $25,000, more than double the amount of the previous five individual charity event totals. Proceeds benefited the Leukemia and Lymphoma Society, the Texas Civil Rights Foundation, the Actors Fund, the Sjogren’s Syndrome Foundation and the Dravet Foundation.

Each year, this author donated “A Cinema Dave Adventure Pack” which featured my four published books and various unique artifacts from “The Cave of Cinema Dave” [Dave’s house], including a mini crystal head vodka bottle autographed by Dan Aykroyd.

With budget limitations, cast member Graham Murphy scripted an adaptation of club bits and featured songs. This was a true Ma & Pa operation as Graham’s wife Emily filled in as secretary/event decor and swag coordinator. The spirit of adventuring lived on.

Adventurers in Charity ran its full course last Saturday night, almost to the day of the 10 year anniversary of the original club’s closing. It was still a bittersweet moment, as many of us accepted that our club has now folded; tears were shed.

Still, being a true adventurer, there had to be one last act of defiance. Last Sunday at 1 p.m., a flash mob of 21 adventurers visited “The Edison,” the steampunk replacement artifice of our beloved club. On cue, we all sang a rousing version of the Adventurers Club all-purpose theme song. Our building and our annual charity weekend are history, but the spirit of the Adventurers Club lives on…

The Ft. Lauderdale International Film Festival will be born again this Nov. 2. There will be an emphasis upon Florida locals. While Connie Francis has already been announced, Cindy Morgan (Caddyshack) and Woody Woodbury have been added to the list of attendees. Woodbury owned a nightclub in Ft. Lauderdale 45 years ago and made movies with Fred MacMurray, Ernest Borgnine, Jerry Lewis and baseball legends Mickey Mantle & Roger Maris. Expect the spirit of adventure this FLIFF season. For more info., visit www.FLIFF.com.

By “Cinema” Dave

http://cinemadave.livejournal.com

Earlier this year, it was announced that there was going to be a remake of Scarface. There was wailing and gnashing of teeth for some critics, who thought the Al Pacino/Steven Bauer film was such a classic. What current film critics overlook is that the 1983 version was a remake of the Paul Muni/George Raft classic of 1932. Given the contrast of time and the gangster culture, perhaps it is time for another Scarface to reflect the culture of today.

With much Oscar buzz already, A Star is Born opens officially Oct. 5. This is the 4th adaptation of this story since 1937 and each time A Star is Born has been an Oscar contender. This time, Bradley Cooper (who also directs) and Lady Gaga portray the roles that have been portrayed by Frederick March & Mitzi Gaynor, Judy Garland and James Mason, and Barbara Streisand and Kris Kristofferson, respectively. The story is simple, entertaining and romantically tragic.

Before passing the torch to the Ft. Lauderdale International Film Festival (FLIFF), Savor Cinema will be hosting a unique birthday party for Mark Ferman this Friday, Sept. 28. A co-host for Popcorn Frights and Film Junkies, Ferman will host a screening of the Bruce Lee Classic Enter the Dragon. Prior to the screening, the award-winning Box of Chaco’s food truck will serve Asian dishes.

FLIFF has announced their opening night film at the Seminole Hard Rock Hotel and Casino for Friday, Nov. 2. A French farce with English subtitles, Return of the Hero stars Melanie Laurent and Jean Dujardin. Dujardin was introduced to the FLIFF filmgoers in 2011 when The Artist premiered, a film that went on to win the Oscar for Best Picture with Dujardin earning the Best Actor Award.

FLIFF has survived as a three decade old film festival because it balances the modern with the traditional. There will be a Florida emphasis this November with screenings of Caddyshack and Where the Boys Are. Known for singing the signature song, Connie Francis is expected to host the pool party at the Westin Ft. Lauderdale resort on Wednesday, Nov. 7. Other celebs are slated to appear at the fest too. (More on that soon).

James Keach will be one guest. He will be at the fest Nov. 14-15 and will screen his documentary Turning Point, a film about science being unpredictable. His last documentary was I’ll Be Me, about Glen Campbell’s last tour while battling Alzheimer’s Disease. A James Keach production usually garners award notice.

The brother of Stacy Keach, James Keach has produced the award-winning Johnny Cash bio picture, Walk the Line, and directed numerous television shows. James also costarred with his brother (along with the Carradine Brothers, the Guest Brothers and the Quaid Brothers) in the Western The Long Riders. James and Stacey Keach portrayed Jessie and Frank James, respectively. For more information, visit www.flicks.com.

By “Cinema” Dave

http://cinemadave.livejournal.com

With Labor Day being the unofficial conclusion of summer, Hollywood will attempt to release movies for Academy Award consideration and Halloween inspired movies. In fact, one of the most anticipated movies of this season will be Jamie Lee Curtis’ return to the Halloween, a direct sequel to the original Halloween movie released 40 years ago.

The Nun will have a one-week engagement at the Ft. Lauderdale Museum of Discovery and Science (MODS) IMAX theatre this weekend [and will also be shown in regular theaters]. The Nun is part of an original horror movie franchise created by James Wan that includes titles like The Conjuring and The Conjuring 2 movies and the two Annabelle movies. Like the Marvel Comic universe, each one of these thrillers is a standalone story of a contemporary world around us. After making a memorable, but brief appearance in The Conjuring 2, The Nun features an original story about a nun battling suicidal tendencies.

After The Nun, The Predator, The House with a Clock in its Walls and Venom will take over IMAX’s five-story screen. The now controversial (for not showing American astronauts planting the flag on the moon) First Man opens on Oct. 11 for a two-week stay. Based on the eight years in the life of Neil Armstrong leading up to the moon landing in 1969, First Man has received standing ovations at the Venice Film Festival.

Locally, The Ft. Lauderdale International Film Festival (FLIFF) will dominate November. The opening film and party will begin Friday, Nov. 2 at the remodeled Seminole Hard Rock Hotel & Casino. Beyond the regular screenings at the Savor Cinema in Ft. Lauderdale and Cinema Paradiso Hollywood, there will be special screenings and party related themes at a variety of other venues. The Westin Ft. Lauderdale Beach Resort will feature a screening of Where the Boys Are. The wrap party on Nov. 18 will feature a fairway screening of Caddyshack at the Ft. Lauderdale Country Club.

Saturday, Nov. 17 will be an interesting day at Bailey Hall. In honor of the 20th anniversary of Pleasantville, starring Tobey Maguire, Reese Witherspoon and Don Knotts in his final film, the afternoon screening of the film will feature a tribute to writer/director Gary Ross, who also directed Seabiscuit, The Hunger Games and Ocean’s 8.

Twelve years ago, FLIFF premiered Sharkwater, a documentary that was sympathetic to the ocean’s mightiest predator, the shark. Sharkwater Extinction is a follow-up documentary that will examine the roll of the predator and its role in the balance of nature. Has there been progress? The answers can be seen at a party/screening on Nov. 17 at Bailey Hall.

As the film industry wraps up 2018, it will not feature a Star Wars or a Marvel Comics universe movie. There will be a prequel to the Harry Potter series with a sequel to Fantastic Beasts, written by JK Rowling. Co-written by Sylvester Stallone, Rocky Balboa returns to the big screen in Creed II, which stars Michael Jordan in a unique sequel that reaches back to a Rocky sequel from 1985. As lyricist Peter Allen once sang, “Everything old is new again.”